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MOVIES: TALE OF AN UNBELIEVABLE FILM

The film failed to receive the expected response from the audience at the time of release. But slowly audiences and critics began to appreciate...

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AI & TECHNOLOGY: THE STAKES ARE HIGH, TECH IS HIGHER

AI for climate change is not a silver bullet, it’s a game-changer. It offers a powerful toolkit to mitigate the crisis, but it’s up...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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Art Passion

Khalid Mohamed in conversation with poet-photographer-artist, Amit Kumbhar, for whom art counts way more than fame or mon...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

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Imagine Norman Bates’s Kolkata cousin as a paying guest in your home

Shantanu Ray Chaudhuri reviews Bengali streaming platform, Hoichoi’s much-publicized psychological horror Mohomaya

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KABHI BLOOD KABHI PIZZA

Khalid Mohamed shudders at the gorefest Chakravyuh, finds sweet relief in Gullak 2, and checks out the Oscar-nominated Sound o...

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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