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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultTOXIC REVIEW: AMBITION WITHOUT ARRIVAL
Dr Piyush Roy examines Toxic: A Fairy Tale for Grown-Ups, exploring Geetu Mohandas and Yash’s visually ambitious gangste...
Read MoreALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR
Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...
Read MoreMOVIES: FAIRY TALE FALTERS IN AJOGYA





"Despite the charm of a fairy tale reference, Kaushik Ganguly's Ajogya struggles with a muddled narrative and underdeveloped characters, falling short of his acclaimed cine...
Read MoreUNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA
When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...
Read MoreATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS
India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk
... Read MoreA MAN FROM MOTIHARI: ABDULLAH KHAN
\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”
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YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...
Read MoreThe Poetry of the Quotidian of Aki Kaurismäki
Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...
Read MoreAbanindranath Tagore: The enigmatic original who wrote art and painted words
The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...
Read MoreOf egoistic Indian men and Mulk Raj Anand
Humra Quraishi remembers Mulk Raj Anand on his birth anniversary and what he had said about Indian men consumed by superiority...
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