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Bollywood

UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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Bollywood

WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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Bollywood

GOVERNOR REWRITES HISTORY FOR POLITICS

Film critic Arnab Banerjee examines Governor, a politically charged retelling of India's 1991 economic crisis, praising Manoj ...

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Trending

BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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Bollywood

BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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Business and Politics

BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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Bollywood

BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance. Lord Cur...

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Bollywood

BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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Business and Politics

BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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Thought Factory

THE ARCHIES, ANIMAL, SOCIAL MEDIA AND DUMBING DOWN

We have fallen in the great social media trap. It has used the power of algorithms and the internet and fooled us into believing that we are se...

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