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Alternative Entertainment

OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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Trending

BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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Alternative Entertainment

ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION

In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...

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TV

TV: WHEN FRAGRANCE BECAME THE TEACHER

In its first edition, Surabhi Diaries by Suhail Tatari revisits the beloved 1990s TV phenomenon Surabhi, cap...

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Gender

GENDER: HOW PATRIARCHY SILENCES RESISTANCE

Patriarchy persists by co-opting privileged voices, masking systemic exploitation in industries like film and policy. Triggered by a panel disc...

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TV

Sweetbitter: The Taste of a Mirage

Sweet is what we always desire, well bitter is neither desired nor anticipated- author Stephanie Danler has dec...

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Festivals

Film Festival Puts Spotlight On Local Makers

Saturday has the kind of gray forecast nobody wants to hear - 45, cloudy and rainy. If only someone would organize a free screening of local films in a new, funky space. En...

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Festivals

Mumbai Film Festival: Day 6 Highlights

The world premiere of the impressive ‘Trapped’ and the searing Egyptian film ‘Clash’ Two taut, tense thrillers set in confined spaces were the high ...

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Kaleidoscope

The Law Cannot Be Blind Kaleidoscope

12 Angry Men, written by Reginald Rose in 1957 was a teleplay, converted to a film by the great Sidney Lumet. The play is one of the classics of modern theatre&mda...

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