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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION
Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...
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MOVIES: DEATH BY DESIGN, BUT NOT QUITE
Inspired by a global star’s interview, Srijit Mukherji’s sequel to Hemlock Society teems with puns, pop culture, and philo...
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TRENDING: A SPRING SONG STATE OF MIND
Hindi film songs have celebrated the onset of spring in myriad ways. Shantanu Ray Chaudhuri looks at 5 songs plus one bonus fr...
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ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN
Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...
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ALTERNATIVE ENTERTAINMENT: ILLUMINATING CINEMA 2024
Exploring the art, narratives of cinema celebrated by The Daily Eye, showcasing alternative cinema, legacies and impactful storytelling that ch...
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ALTERNATIVE ENTERTAINMENT: THE FILMMAKER, THE ETERNAL SEEKER
As it completes a 50-day run, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s Padatik and how it stands out in the bar...
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ALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK
Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes
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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA
In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...
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Srijit Mukherji: A Filmmaker at a Crossroad
Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...
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Appealing to the young at heart: Kakababur Protyabortan
Srijit Mukherji’s new film appeals to the young at heart, with Soumik Haldar’s cinematography helping it tide over the narrative lu...
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