Breaking News
- Health
EMOTIONAL INTELLIGENCE AND THE HUMAN FACTOR
0 - Thought Factory
A LAST CALL FOR THE PLANET
0 - Retroscope
FORGOTTEN DANCING QUEEN OF HINDI CINEMA
0 - Hollywood
MOTHER MYTH MAN CALLED SHAKESPEARE
0 - Thought Factory
HALF CAULIFLOWER, PIECE OF CAKE
0 - Health
DEBATING NATIONALIZATION OF MEDICAL COLLEGES
0 - Festivals
DELHI’S GRAND CINEMATIC AMBITION
0 - Business and Politics
THE ETERNAL CRISES OF FILM SCHOOLS
0 - Thought Factory
INDIAN FARMERS BLINDSIDED BY CINEMA
0 - Festivals
INDIAN CINEMA CONQUERS GLOBAL STAGE
0
Alternative Entertainment
-853X543.jpg)
TOLLYWOOD’S GIFTED ACTORS
Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the overwhelming popularity Bollywood ...
Read More-280X201.jpg)
YET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale. No, at the outset, let me tell you that I have...
Read More-280X201.jpg)
ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
Read More-280X201.jpg)
JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
Read More-280X201.jpg)
UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
Read More-280X201.jpg)
MAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted interpretation of Lord Ram, which is contrary to the...
Read More-280X201.jpg)
Decoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
Read More-280X201.jpg)
Childhood, Holocaust and the Cinema of Louis Malle
Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....
Read More-280X201.jpg)
Bengali Cinema: A Middle Way to Tread
Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been often achieved despite the many digressions over ti...
Read More-280X201.jpg)
Ballavpurer Roopkatha: A Director In-charge
Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to remain a director’s medium, by taking Anirban B...
Read More