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WHEN GRIEF BECOMES ART
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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE
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CHRISTIE’S MOUSETRAP FINDS MARATHI LIFE
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DRISHYAM CONCLUSION: TRUTH, DECEPTION, SURVIVAL
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THE DAY A NEW INDIA CAME HOME
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HRISHIKESH MUKHERJEE AND EVERYDAY CINEMA
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TELEVISION ACTORS NAVIGATE CHANGING SCREENS
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THREE STORIES DEMANDING OUR ATTENTION
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HEALTHY BOUNDARIES SHAPE SECOND CHANCES
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SHAKUNTALA NAGARKAR: DEATH IN THE SADDLE
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Alternative Entertainment
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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?
Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and why? Let’s face it. India is movie-land. No ...
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A CHAPTER ON KUMAR SHAHANI’S KASBA
Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionally, maverick filmmaker Ritwik Gha...
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SOME LIKE IT CHILLED!!
Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination with horror films, wonders Monoj...
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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA
In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, the making of The Scavenger of Dreams, the trials ...
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THE DIVERSE REALM OF ART HOUSE CINEMA
Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant counterpoint to mainstream commerci...
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THROUGH THE RADIANCE: AN EXHIBITION OF AMOL PALEKAR’S ART
Through the Radiance it is aptly called, because as you step into the exhibition at the Jehangir Art Gallery you are captivated by Amol Palekar’s work. The layers of col...
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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS
During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmaker to make a film, writes O.P. S...
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SALUTING SATYAJIT RAY’S UNIQUE HEROES
Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, special and memorable In epics, sagas, legends and fol...
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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot the country”, writes O.P. S...
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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION
O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar, a blockbuster in the 1980s. Ardh Satya is a 198...
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