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THOUGHT FACTORY: A CAUTIONARY TALE FOR INDIA'S BUREAUCRACY

The delicate balance between public service and private interests in India, and employing leadership from within the bureaucracy is crucia...

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POWERFUL PEOPLE: ISHAA VINOD CHOPRA’S JOURNEY SO FAR…

In this interview, I go deeper into Ishaa's experiences, her journey towards self-acceptance, and her vision for the future, as she works to b...

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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TRENDING: PATRIOTISM FOR PROFIT & ELECTION ADS

Is nothing sacred in today's media landscape, dominated by relentless election advertising, wonders Monojit Lahiri. He explore...

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FESTIVALS: THE LOKHANDWALA STREET-CORNER START-UPS

Today, Siddharth Kak explores the by lanes of his neighbourhood to discover a variety of Indian food and snacks on offer by a ...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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THE UNFINISHED BATTLE FOR EQUAL RIGHTS IN INDIA 2023 BY GEETIKA TYAGI

Throughout history, several pivotal events have spotlighted the persistent struggle for gender equality, unmasking the enduring challenges that...

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BEST INDIAN NEWS NETWORKS OF 2023: SUPRIYA SHRINATE

Amidst the rapid flow of information and the ever-evolving media landscape, the role of news networks has become pivotal in shaping public opin...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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