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THROUGH AN EYE CURIOUSLY INTERVIEW

In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, B...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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HOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES

A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...

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TELEVISION: HOW I MET SATYAM, TRULY

A moving, intimate remembrance by Sharad Raj of writer Satyam Tripathi—his brilliance, arrogance, tende...

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POWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER

Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...

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BOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE

A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...

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GENDER: GENDER | AUTONOMY | 2025 IN REFLECTION

From homes and heartbreaks to cinema, solitude, queer identity and evolving desire, The Daily Eye’s 2025 gender discourse Read More

THOUGHT FACTORY: WHY CINEMA STILL MATTERS

Why Cinema Still Matters reflects on filmmaker Arjunn Dutta’s Deep Fridge, exploring creativity, nostalgia, and audienc...

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THOUGHT FACTORY: RONA MANA HAI!!

Monojit Lahiri wonders whether, in an age when the price of everything is skyrocketing, the role, relevance and value of grief...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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