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BOLLYWOOD: LOVE, AGE, CHAOS, REPEAT

A witty, uneven yet engaging romantic comedy, De De Pyaar De 2 explores age-gap love with humour, nostalgia, and emotional warmth, del...

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TRENDING: BEAUTY LIES IN BOTOX WITHIN

‘To Thine Own Self Be True…’ This famous quote from Shakespeare’s Hamlet has taken on a new meaning today, wi...

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ALTERNATIVE ENTERTAINMENT: RIEFENSTAHL REFLECTS MODERN PROPAGANDA

The documentary ‘Riefenstahl’ forces us to confront the haunting intersection of media, propaganda, and complicity in shaping autho...

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FESTIVALS: THE CHANGING FACE OF DURGA PUJA

Religious Fest? Reality Show? Sponsored Program? A little of all these? Monojit Lahiri lays it on the line, examining how Durg...

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POLITICS: THE BRUTALITY WOMEN FACE IN INDIA

"Exposing the Brutality Against Women in India: A Heart-Wrenching Account of Systemic Failures, Rising Violence, and the Dim Rays of Hope Amids...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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The Hyperlinked World

Ranjan Das takes the Diptakirti Chaudhuri account, Written by Salim-Javed, as a case in point to explore a vast hyperlinked un...

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Religious Festivals: Sponsored or Reality Shows?

Today, as we once again step into puja mode in this year of 2022, do we feel somewhere, somehow, a change in the puja celebrations, wonders Monojit Lahiri....

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When stories divide…

Humra Quraishi expresses her apprehensions about the divisive politics being played today and what is means for the India...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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