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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM

Bridging nineteenth-century devotion and contemporary philosophy, this exhibition traces the enduring continuum of printmaking—where pape...

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TRENDING: THE QUIET POWER OF COSTUMES

Costume designer Pia Benegal reflects on why her craft remains invisible, how clothes shape character and narrative, and why a...

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FESTIVALS: A JOURNEY FROM ARGENTINA TO INDIA

Art often travels before we do, crossing landscapes, languages and lived experiences, forming bridges where maps would show oceans — Read More

FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA

A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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FESTIVALS: BRIDGES OF ART CONNECT WORLDS

Bridges of Art: A Journey from Argentina to India at the National Gallery of Modern Art, Mumbai, brings together Julia Romano, Pablo Ramí...

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MOVIES: A GENTLE DOWNPOUR OF INDIE SUCCESS

Ritopriyo Saha’s short film Chhoti Baarish (Little Rain) is creating ripples across the global festival circuit — from Ban...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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