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ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION
In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...
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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED
Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...
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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS
Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More
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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO
Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...
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JAANE BHI DO YAARO: FOREVER IN RECALL!
Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...
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Hamari Amita: Critic who called the shots
Khalid Mohamed remembers the super-feisty Amita Malik who was described by Time magazine as “the most prominent film and...
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Adil Hussain: The Uncrowned Czar of independent cinema
Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.
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Mise en scene: a metaphysical expression
Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...
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Climates: A metaphor for changing human behavior
Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...
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Bergman, Sombre or Pragmatic?
Ingmar Bergman prevalently known for his movie ‘Persona’ was considered as the most thoroughgoing in procedure and technique. Classism in the movies came out vo...
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