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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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ESCAPING INTO REALITY: KETAKI SHETH

Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...

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GUJARATI THEATRE PASSION AND PERFORMANCE

Actor Leena Shah reflects on her enduring journey through Gujarati theatre, sharing insights into performance, resilience, travel, and the emot...

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THOUGHT FACTORY: A SILENCE THAT SHOUTS

An incisive reflection by Sohaila Kapur on speech and silence, moving from personal memory to cultural critique, revealing how...

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FESTIVALS: QUEER STORIES ILLUMINATE NEW PATHWAYS

A reflection on queer filmmaking, festival curation, and representation at WIFF Mumbai 2025 — read this interview of Sridhar Rang...

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THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

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GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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