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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultSATYAJIT RAY IN COLOUR UNVEILED
Prof. Dr. Avinash Kolhe visits Faces and Facets: Satyajit Ray in Colour, a landmark DAG World exhibition at Taj Mahal Palace, ...
Read MoreANIRBAN: CINEMA BEYOND DEATH'S SILENCE
Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...
Read MoreTWO POWERFUL THEATRE REFLECTIONS
Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...
Read MorePOWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE
Khalid Mohamed in conversation with the indefatigable poet, lyricist, story-script-writer and film director Gulzar Read More
POWERFUL PEOPLE: LISTENING TO LIVES
Journalist, author, translator, and cultural chronicler Sathya Saran reflects on a life shaped by words, music, travel, and di...
Read MoreALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION
In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...
Read MoreALTERNATIVE ENTERTAINMENT: NO MAN’S LAND
Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...
Read MoreALTERNATIVE ENTERTAINMENT: THE GENTLE GENIUS
Cinema, at its purest and most soul-stirring, found a devoted servant in Shaji N. Karun. Khalid Mohamed bids farewell to the g...
Read MoreALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH
A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...
Read MoreKALEIDOSCOPE: TALKING PROCESS WITH HARINI SRINIVASAN
Harini Srinivasan, author of Lovestruck and Confused, discusses toggling between historical mysteries and contemporar...
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