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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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AI, CREATIVITY AND PURPOSE UNITE

From AI-powered filmmaking education and innovative talent recruitment to empathy-driven learning for children, three new init...

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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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I LIVE INSIDE THE VISUAL WORLD

Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum Read More