GEN Z TURNS POWER UPSIDE-DOWN

Vinta Nanda watches India’s Cockroach movement transform youth anger into irreverent resistance, challenging political ...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

BATTLEGROUND TO BOARDROOM: INNER STRENGTH

A Series by Sushmita Chowdhary for WMN COMM: In this opening essay, the writer explores how respect, resilien...

BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

STUDENT CITY PART 8

In the concluding chapter of Student City, Prof. Dr. Piyush Roy explores friendship, loneliness, self-discovery, and the unexp...

BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

MAHOGATHA REVIVES MAHASHWETA DEVI’S LEGACY

Prof Dr Avinash Kolhe reviews Mahogatha, a powerful Marathi theatrical adaptation of three stories by Mahasweta Devi,...

BOMBAY STORIES AND CITY SPIRIT

A rich literary exploration of Bombay through contemporary voices, capturing its contradictions, dreams, anonymity, and emotional landscapes, t...

IT’S A CONSTANT BATTLE – RAHI ANIL BARVE

The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...