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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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MUMBAI DESIGNER WINS KASHISH POSTER

Mumbai-based designer Pari Nirmal wins the KASHISH 2026 International Poster Design Contest, bringing the festival’s the...

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EMOTIONAL INTELLIGENCE AND THE HUMAN FACTOR

Writer Ranjan Das Gupta reflects on emotional intelligence as a human, ethical and social force. Drawing from personal experie...

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DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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SHAKESPEARE MEETS BOLLYWOOD DRAMATIC FUSION

Shakespeare & Bollywood – Rab Ne Bana Di Jodi explores how Bollywood borrows from Shakespeare’s dramatic universe, as ...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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HOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES

A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...

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ALTERNATIVE ENTERTAINMENT: BÉLA TARR, I STRUGGLE TO NEGOTIATE

In this personal tribute by Sharad Raj, the author reflects on Béla Tarr’s cinematic legacy, his...

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