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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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DEBATING NATIONALIZATION OF MEDICAL COLLEGES

“Nationalization of Private Medical Colleges Not Correct” – the article by Ranjan Das Gupta examine...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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THOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO

Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...

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TV: TRANSFORMATIVE MADRAS JOURNEY

A deeply personal recollection of discovery, creativity, culture, and artistic encounters in Madras — forming the third chapter of Surabh...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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TRENDING: A ‘NORMAL’ LOVE STORY, SAYS SRIDHAR RANGAYAN

Kuch Sapney Apne, releasing in theatres on 21st February, redefines love with its heartfelt queer romance, proving...

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ALTERNATIVE ENTERTAINMENT: SONGS AND TRUTH OF SATYAKAM

Exploring how Hrishikesh Mukherjee's Satyakam uses songs to deepen emotional connections, address moral dilemmas, and reflect the soci...

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