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BARNALI RAY SHUKLA'S FEARLESS PORTRAIT

Vinta Nanda discovers Barnali Ray Shukla's humane documentary I Run Into Chairs, an intimate portrait of Divyanshu Ganatra's f...

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Alternative Entertainment

TERMITE REVIEW: SHAUNAK SEN TRIUMPHS

Saibal Chatterjee hails Termite as a remarkable debut in fiction, beginning with the unforgettable line: “Shaunak Sen&rs...

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Festivals

PRABHAKAR KOLTE’S ABSTRACT ART PHILOSOPHY

At Chemould Prescott Road, Prof. Dr. Avinash Kolhe examines Prabhakar Kolte’s Asymmetrical Synthesis, exploring abstract...

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Festivals

GULZAR’S LEGACY LIVES THROUGH WALKING

Prof Dr Avinash Kolhe chronicles the Gulzar Walk, an evocative literary heritage initiative by Urdu Markaz Rehguzar, celebrati...

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Gender

WOMEN’S NETWORKS DRIVE CAREER SUCCESS

Strong professional networks help women access hidden opportunities, writes Sushmita Chowdhary, accelerate promotions, build m...

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Bollywood

BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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Powerful People

PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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Alternative Entertainment

THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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Alternative Entertainment

THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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Thought Factory

AI DISRUPTS CINEMA AND IDENTITY

As artificial intelligence reshapes cinema, actors confront the loss of control over identity, image, and livelihood, writes <...

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