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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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KASHISH 2020 Virtual: French film The Shiny Shrimps

157 films from 42 films to screen at the 11th edition of KASHISH Mumbai International Queer Film Festival to b...

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Celebrity endorsements hit by COVID-19

Indian Institute of Human Brands (IIHB) has released a report on celebrity compensation which states brands expect celebrity f...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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Chiller Thrillers

Film historian Dhruv Somani unearths eight Bollywood films, which were grossly undervalued.

Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

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