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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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Home Alone: Neelam Mansingh Chowdhry

It’s Showtime, when you venture out with Chandigarh-based theatre artist, Dr. Neelam Mansingh Chowdhry, writes Vinta Nanda Read More

Such a Bored Game

Khalid Mohamed throws a dice at Anurag Basu’s Ludo… and checks out Pepper Chicken...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Rishi Kapoor: He defined ‘Bollywood Art’

 

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

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In spoiler fight, Hollywood has its free-speech moment

Steven Zietchik reports in the Washington Post that, it began with a few sentences from Quentin Tarantino.

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The Staging of DEEWAR in India 2018

Prithvi Theatre opened to the public on a day in 1978, forty years ago. It is today an address that apart from being ...

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