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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Re-Engineering Culture: Majha House

Preeti Gill, founder of Majha House in Amritsar, tells about the place, which asserts Punjab’s rich history of performance, literature an...

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News Media: The End..

Geeta Datta, programmer and veteran reporter, views news broadcasting from what goes on inside newsrooms and explains why the ...

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Exhausted: Face Masked & Barefoot

As the lockdown restrictions are being relaxed gradually in the country, scores of migrant laborers who have lost their jobs have attempted to ...

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Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

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Mumbai: A City Smarting

“Thousands of migrant workers walked along the Eastern Express Highway in the hope of reaching back to their villages. They were stopped ...

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Hollywood icon: The Rock

Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggl...

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Are you woke?

Just like the rest of you, I’ve also been sitting at home, working when possible and consuming news on television, social media and the occasional newspaper, which ge...

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Kulmeet Makkar: The man who never said ‘No’

A thought crossed my mind as I said a small prayer last night, “I’ve written two tributes back to back for Irrfan Khan and Rishi Ka...

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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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