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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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KASHISH 2020: Fifty-two films in competition

KASHISH 2020 Virtual, will screen 157 films from 42 countries
The 11th edition of KASHISH Mumbai International Queer Film Festival, South...

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The Standoff: Pataal Lok and Contagion

Vinta Nanda writes about how we process these times when the movies are advancing our future.

The End of a New Beginning

Sandeep Goyal says that the one thing he has never understood about TikTok is – why does...

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Tragedy: The Untold Story of Baby Naaz

Khalid Mohamed narrates the story of Baby Naaz, a super child actor of the vintage years, who ...

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The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York...

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When words are just not enough….

I write this with a heavy heart, says Rujuta Vaidya as she remembers her time-spent learning dance choreography from the unparalleled to date, ...

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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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