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Shibu Natesan: Doing it my way

Khalid Mohamed interviews the eminent artist Shibu Natesan, who has varied from images of political protest to nature studies,...

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Troubled waters: The fishing community of Worli Koliwada

A photo-feature by Vatsal Shah on the beleaguered fishing village of Worli Koliwada, before and after the outbreak of the pand...

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Take some!

Humra  Quraishi tells the story of a young boy who was angry that his hen was killed to f...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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The Power - Jaideep Ahlawat

Khalid Mohamed in conversation with Jaideep Ahlawat, the actor who’s the talk of the town with his outstanding performan...

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Of Optics and Opportunism

“We are not to empathise anymore with human pain if it inconveniences entrenched power structures and the politics of privilege. Ever...

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We were the Cathedral School boys, the Cats

What it meant to be a ‘Cat’ during the swinging 1960s at the premier school of Mumbai, India? Take that, Campionites!

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In spoiler fight, Hollywood has its free-speech moment

Steven Zietchik reports in the Washington Post that, it began with a few sentences from Quentin Tarantino.

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A pioneer, a frontierswoman at heart: Presenting Anupama Mandloi

One of the most significant outcomes of my having started The Daily Eye, which is an online publication specifically targeted to conte...

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