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THE HRISHIDA I REMEMBER…

Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101st birth anniversary. Hrishida was born o...

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FROM RAKESH BEDI, WITH LOVE!

Vinta Nanda takes a tour around the life of writer, playwright, dramatist and actor Rakesh Bedi along with him in this intervi...

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BOLLYWOOD TIK-TALK: AUTUMN OF SPECTACULAR STORIES

There’s no end to the endless conversations to be had and stars to be seen in Bollywood. Today, the #Newsdesk brings you...

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BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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THE MAN WHO WOULD NOT BE KING

More than 2500 years after he preached his eight-fold path, does the Buddha’s example matter to a world divided by multiple human-made co...

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LENSED BY SAHIR RAZA, APURVA GOURI SINGS TO GAUHAR RAZA’S LYRICS & ZICO A.KA. SOUTRIK CHAKRABORTI’S TUNE

The theme song for the Mere Ghar Aa Ke To Dekho campaign, in the voice of Apurva Gouri, written by Gauhar Raza and directed by Sahir Raza was r...

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