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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Video Gaga

Film historian Dhruv Somani excavates the exclusive made-for video movies by Nari Hira and other producers, way before the arr...

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Kulmeet Makkar: The man who never said ‘No’

A thought crossed my mind as I said a small prayer last night, “I’ve written two tributes back to back for Irrfan Khan and Rishi Ka...

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Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

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The quiet fade-out

How many care for a yesteryear star after her last breath? Here’s addressing the question, over a month after the passing away of yestery...

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How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

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WELCOME TO THE OTHER SIDE

“One can keep wondering about the why’s and the wherefores, but eventually it all boils down to the simple fact that we are not as ...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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Almost Famous

The Marathi play Knock Knock Celebrity, comprises two monologues to do with fame, and how it affects people from opposite sides of the class divi...

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