Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...

Such a long journey: Neena Gupta

Balaji Vittal introduces you to Sach Kahun Toh, theatre, film and television actor, and writer...

Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

Failed promises of the right wing: Andrzej Wajda

Sharad Raj transports you back to the film Ashes and Diamonds - an all-time masterpiece of Polish cinema, directed by one of the most important filmmakers,...

Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

SAHOBASHE

Debutant filmmaker Anjan Kanjilal and stars Anubhav Kanjilal and Ishaa Saha speak to Shantanu Ray Chaudhuri about their forthc...

Those Guilty Pleasures

Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today.

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Jai Siya Ram…

Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the po...

Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...