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Such a wonderful journey!!

Film historian Dhruv Somani, a self-confessed admirer o...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

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Signs of the time: The stream of freedom’s flood

With the passing away of writer Ved Mehta, I can only say that we have lost  not just a great writer but also a man with a definite person...

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How Photo Pollution Is Impacting Planet Earth

We have lost our connection to the night-time skies, the stories woven into star-studded skies, the sense of stillness, the awe of the twinklin...

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A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

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Hello Jyoti Kapoor!

Aparajita Krishna takes a tour with Jyoti Kapoor, the young film-writer (story, screenplay, dialogue) who carries in her petit...

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Let’s Go to the Pictures

Rumi Taraporevala writes on the ‘masti-majaa’ of watching the movies with his buddies

Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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