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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

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Looking after a Family’s Medical Needs

Dr Kishore Madhwani writes on the FAMILY MEDICINE SPECIALIST DAY, which was observed on  SEPTEMBER 27 at NAVI MUMBAI...

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The Untold Tragedy

Film historian Dhruv Somani narrates the story of Inder Thakur, a top model and upcoming actor who perished with his wife and ...

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GIVE LOVE A CHANCE!

Replacing his film journo’s cap for the Ad-man’s hat, Monojit Lahiri explores the hidden virtues of love as a bran...

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The Soap Opera

Film historian, Dhruv Somani, tracks the Bollywood stars who have endorsed the iconic Lux toilet soap over the decad...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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SUNNY SIDE UP

Khalid Mohamed pulls out a rare interview with Sunny Deol to afford a glimpse into the mindspace and acting credo of the usual...

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Only About Ground Realities

YASHWANT SINHA, choice of the opposition parties as the next President of India,  is rational; he talks about ground realities with convic...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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