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SUSTAINABLE DEVELOPMENT: NATIONAL CONFERENCE ON PRACTICE BASED RESEARCH

Two days National Conference on “Practice Based Research in Social Work and Research Ethics” was organized by the Internal Quality ...

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ALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT

"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...

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KALEIDOSCOPE: BREATHING LIFE INTO A SONG

Tarali’s musical experiment with Anup Baruah is what Utpal Datta visits this week to explore what it took the singer, ly...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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POLITICS: ALL AROUND THERE ARE REMINDERS

Humra Quraishi dwells on two disturbing reports dominating the news - about the demolition of Wakeel Hassan’s home and a...

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GENDER: VOICES UNHEARD IN THE CORRIDORS OF POWER

On the occasion of International Women's Day, as the world celebrates the achievements of women, it's imperative to reflect on the role of acco...

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POWERFUL PEOPLE: OF SERVICE TO WOODINVILLE

It is with great pride that I present to you Preeti Shridhar, who recently took charge as the elected representative in Woodinville, Washington...

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TRENDING: MUJHSE SHAADI KAROGE? PAGAL? NEVER!!

Why is today’s Youngistan so anti-marriage, wonders Monojit Lahiri. He also investigates what goes on post-marriage that...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR

Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...

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