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Oh, the suspense!

Film historian Dhruv Somani, fondly remembers the whodunit, Gumnaam, produced by N.N. Sippy and directed by Raja Nawathe, whic...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Romance in the 1984 Sikh Riots: Grahan

 

The OTT platforms have released a few remarkable web series display...

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, wri...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

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Catching the moment

Khalid Mohamed discusses the fast-changing dynamics of image-making today with the eminent New Delhi-based still photographer, Prerna Jain