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How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

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The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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Hindustan Unilever: Once trounced, twice humbled

HUL has been clearly outwitted by Sebamed’s ads. In the courts, Sebamed beat HUL 2-0,  writes Dr. Sandeep Goyal &nb...

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Where Eagles Dare

People are experiences and experiences make interesting stories, says Yashika Begwani to me, writes Read More

Such a wonderful journey!!

Film historian Dhruv Somani, a self-confessed admirer o...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Our Invisible Men

Film historian Dhruv Somani travels back in time to chronicle 10 B-town films on the classic vanishing trick, first conceptual...

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A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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IT’S APPY NEW YEAR AND A BOUQUET OF TALKS

Here’s another in her series of a bouquet of talks, by Aparajita Krishna. This time she converses with Manmohan Shetty, Govind Nihalani, ...

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