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As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Ways of seeing Mumbai

A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed <...

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Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

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Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Hope and Glory: Asha Bhosle in conversation

Khalid Mohamed talks to the legendary Asha Bhosle this week, about her talent hunt for singers on her YouTube channel, and her...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Tragedy: The Untold Story of Baby Naaz

Khalid Mohamed narrates the story of Baby Naaz, a super child actor of the vintage years, who ...

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The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.

Echoes of 'Black Lives Matter' in India

The unrest, the carnage, the protests that shook Trump’s America a few weeks ago, seems to be echoing in India too - though the tremors a...

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That Haze

Humra Quraishi  writes another stunning story, set in Lucknow where despite being in groups and communities, in crowded p...

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