TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

CAN MODELS…ACT??

Monojit Lahiri attempts to check out the blur between acting the art, and acting the glamour touch given to Bollywood cinema -...

A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

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ORIGINAL AND KICKASS: KAINAZ JUSSAWALLA

Sixteen original, kickass quotes and phrases from award-winning author Kainaz Jussawalla’s new juicy and unfilte...

DEMOCRACY AND DISSENT

Taking off from Vinod Pande’s latest piece from his YouTube series, ‘Off the Cuff, in which he talks about Rahul Gandhi, Humra Qura...

OMG! DIDNT KNOW IPL IS SUCH A SOUTAN!!

Monojit Lahiri recounts the nightmare of an IPL victim here.

Akash really pursued me - no...

ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!

Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...