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Playing corpse and killers

Khalid Mohamed has mixed feelings about the Mohanlal movie Drishyam 2, thumbs up three episode...

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Zohnerism: The Art of selective communication

Dr. Sandeep Goyal explores the art of selective communication during this post truth era, the times in which it’s diffic...

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Rainbow Flag at Kala Ghoda

Three LGBTQ programs by KASHISH are being hosted at Kala Ghoda Arts Festival this year, reports The Daily Eye Newsdesk

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Mush do about something

Khalid Mohamed reviews the pleasant-enough road movie Kilometers and Kilometers from Kerala, the brain-bashing ode to violence...

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CRISPR: The Genetic Scissors Natural V/s Unnatural

CRISPR can help the cacao to become infection resistant and save it from extinction – so that we do not h...

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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

Ghost ghost na raha

Khalid Mohamed strives to sit patiently through the season’s supposed scarefest, Durgamati - the oddball series Bhaag Be...

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