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Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

Finding Ganga

Film historian Dhruv Somani, recounts the arduous process that was involved in the casting of Mandakini in Raj Kapoor’s ...

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BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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Those Fashion Classics

Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are mad...

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Reasons For My Angry Song

\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous an...

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Scent of a Killer

Film historian Dhruv Somani, revisits Rajesh Khanna’s slasher film Red Rose, which was a flop on its release in 1980 but...

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THERE CAN NEVER BE ANOTHER… SUCHITRA SEN!

Matchless! Timeless! Deathless! On her 91st Birthday, Monojit Lahiri pays homage to Bengal’s gone but never forgotten, l...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Shreejith Mohan wins KASHISH 2022 poster contest

South Asia’s biggest LGBTQIA+ film festival to be held June 1-5, 2022, reports The Daily Eye Newsdesk.