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Where there is no will, there is violence

Humra Quraishi talks about how polarisation in grassroots India, by the use of state machinery...

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Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

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Signs of the times: Breaking the silence

Humra Quraishi explores why even the brave and honest in positions of authority choose to remain silent when they are witness ...

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Hope and the horizon

Dr. Kishore Madhwani updates the facts on the COVID virus and asserts the need to stay calm while under the pressure.

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Of Dev Anand’s James Bond-like adventure

Film historian Dhruv Somani, zeroes in on The Evil Within, the little-seen crime thriller, which had marked the evergreen star...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Bees Saal Baad Revisited

Film historian Dhruv Somani, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever sinc...

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How civilized is the civilized world?

Vinta Nanda insists that we, the so-called civilized people, talk about poverty, violence and exclusion.

Woh Sadhana thi

The cine-young living in the 60-year-old that I am, refuses to abandon my lingering fascination for actress Sadhana, writes Aparajita K...

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How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India.  ...

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