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POWERFUL PEOPLE: THE FAALTUGIRI TOUR

Janhavi Samant, a force to be reckoned with, hails from the vibrant streets of Dadar, also known as the cradle of India’s cinematic herit...

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KALEIDOSCOPE: INDIA’S SOLE MUSLIM PARAM VIR CHAKRA AWARDEE

Vikram Khakhar's involvement underscores the importance of this project, which promises to shed light on a pivotal figure in Indian military hi...

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POLITICS: HOW FAR WILL THEY GO WITH HATE?

Humra Quraishi condemns the targeted communal attacks on Muslims taking place repeatedly, and also introduces Sahar Zaman&rsqu...

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BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK

Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...

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ALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT

"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...

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POLITICS: ALL IN THE NAME OF GOD

Humra Quraishi comments about empty promises being made in political speeches, the polarisation, and the harmful propaganda taking place for vo...

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MOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS

From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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FESTIVALS: THE SUN SHINES ON SUNNY DA DHABA

We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...

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