Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

Shreejith Mohan wins KASHISH 2022 poster contest

South Asia’s biggest LGBTQIA+ film festival to be held June 1-5, 2022, reports The Daily Eye Newsdesk.

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

Spine Chiller Revisited

Film historian Dhruv Somani revisits Jaani Dushman the 1979 multi-starrer blockbuster of Raj Kumar Kohli, which is a major dra...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...