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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: REIMAGINING 12 ANGRY MEN

Srijit Mukherji’s Shotyi Bole Shotyi Kichhu Nei reinvents 12 Angry Men with a fresh, outdoor setting, gender perspectiv...

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Retroscope

RETROSPECTIVE: “ORIDAM” @20 IS A PORTRAIT OF PAIN

A poignant exploration of a sex worker’s struggles, Pradeep Nair’s Oridam challenges conventional portrayals of female sexuality, o...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: EI RAAT TOMAR AMAR

What happens when two powerhouse veteran actors showcase a cathartic storyline, directed by a courageous and sensitive actor-director with the ...

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Trending

FESTIVALS: A TRIUMPHANT INAUGURAL START FOR GAFF

The inaugural Guwahati Asian Film Festival showcased cinematic excellence, encouraging cultural exchange and dialogue while paving the way for ...

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Trending

TRENDING: A ‘NORMAL’ LOVE STORY, SAYS SRIDHAR RANGAYAN

Kuch Sapney Apne, releasing in theatres on 21st February, redefines love with its heartfelt queer romance, proving...

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Bollywood

BOLLYWOOD: KUCH SAPNEY APNE SET FOR RELEASE

A poignant queer drama about love, family, and acceptance, Kuch Sapney Apne challenges societal norms while delivering powerhouse performan...

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Bollywood

BOLLYWOOD: FLASHBACKING WITH CHAUDVIN KA CHAND!!

Around two decades ago, Monojit Lahiri met the still-gorgeous Waheeda Rehman at her sea-front flat in Bandra’s Bandstand...

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Kaleidoscope

KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

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Thought Factory

THOUGHT FACTORY: SUPERSTARS CAN'T SAVE FAILING FILMS

"Big budgets, bigger stars, and colossal failures—Indian cinema’s crisis lies not in its cast but in sidelined storytellers, as aud...

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Festivals

FESTIVALS: CELEBRATING 25 YEARS OF ARTISTIC SPLENDOUR

Salim Asgarally, Deepa Gahlot and I experienced Mumbai's vibrant heartbeat at Kala Ghoda Arts Festival 2025—where heritage meets creativi...

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