AUTUMN BLOSSOMS: OF MOTHERHOOD & OTHER RELATIONSHIPS

The 50 stories in this collection, divided into three sections, deal with woman protagonists coping with the vagaries of relationships with men...

OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

THE HRISHIDA I REMEMBER…

Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101^st birth anniversary. Hrishida was born o...

पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

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ABOUT FACING CHALLENGES AND STAYING STRONG!

Humra Quraishi comments on the deceptive times that we live in, and harks back to the encouraging and motivating words of Khus...

TORN BETWEEN TWO IDEOLOGIES – RAM RAJYA AND RAVAN RAJ

An excerpt from the book Mandodari, by Koral Dasgupta, released at Kitab Khana Mumbai with a conversation between the author and Avantika Bahug...

TEACHER’S DAY: TO SIR WITH LOVE!

On ‘Teacher’s Day’ Monojit Lahiri pays homage to some inspirational game changers and life transformers, who...