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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Bhanu Athaiya: Best of the Best

Film historian, Dhruv Somani, picks his 10 favourites from the vast collection  created by the late doyenne of film costu...

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Signs of the times: Come October

Humra  Quraishi remembers classical singer Begum Akhtar, also known as Akhtari Bai and we...

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SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

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Visual Instinct

Khalid Mohamed writes on discovering the rule-breaking art of Vishwanath Math on social media in the time of the Coronavirus.<...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Let the music play on…

Musicians and singers share their stories about how they’re coping during lockdown, with Monarose Sheila Pereira.

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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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