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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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A Dream Run for Kalyani

Janaky Sreedharan writes about J.Geetha’s debut venture Run Kalyani, which is set to be the opening film at the New York...

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A Journalist and two Gentlemen: Farooq Shaikh and Parvez Dewan

In the backdrop of actor Sushant Singh Rajput’s suicide, Humra Quraishi is reminded of what two gentlemen, Farooq Shaikh...

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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Status Single & Lockdown

On April 1, 45-year-old auditor, divorcee, Kriva, who quit her last job in December after being harassed for being single, picked on for lookin...

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Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

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Abandoned

Bollywood’s shelved extravaganzas! Film historian Dhruv Somani zooms in on eight big Bollywood movies, which on facing hiccups, couldn&rs...

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