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How to combat the coronavirus right now

Dr. Kishore Madhwani writes on everything you must know today with the nation’s ongoing tireless vaccine drive and how w...

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Call of the Valley

A photo-essay by Ashis Ghatak: On the placid side of Kashmir and its infallibly hospitable mountain folk.

Gup-shup with GoPu

Noted academic, playwright, writer Govind P Deshpande (2nd August 1938 – 16th October 2013) was be...

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The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Give peace a chance

Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentar...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

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Faces of Rajasthan

Khalid Mohamed in conversation with photographer Chandan Das on his tryst with photography and other creative arts.

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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The Journalist and the storyteller: Sujata S Sabnis

Everybody is talking about Sujata S Sabnis’ latest book Blood on the Sands, writes Vinta N...

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