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No Man is an island

Rinki Roy Bhattacharya writes that the relentless media coverage about the pandemic we are all stuck in was guaranteed to...

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Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

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Patterns of Good Faith

On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs Read More

Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Raj Marphatia: A Bombay Boy who never lost

He was the first non-white President of the prestigious Harvard Law Review, writes Dilip D’souza

The Power - Jaideep Ahlawat

Khalid Mohamed in conversation with Jaideep Ahlawat, the actor who’s the talk of the town with his outstanding performan...

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The art of Rishi Kapoor

Reema Moudgil takes you on a trip through Rishi Kapoors body of work and his many reinventions as an actor who scaled Bollywoo...

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Rishi Kapoor: He defined ‘Bollywood Art’

 

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

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