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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultFILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?
Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...
Read MoreDIAL A SHRINK SAY THE GIRLS
Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...
Read MoreA TIME FOR CELEBRATION, REFLECTION AND TRANSITION
December, the final month of the calendar year, holds a distinctive significance across cultures and societies worldwide, reports The Daily Eye #Newsdesk Read More
THE DIVERSE REALM OF ART HOUSE CINEMA
Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...
Read MoreTHE NEED OF THE HOUR: TUSHAR ARUN GANDHI
In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...
Read MoreGREAT TO HEAR FROM YOU BABY BOOMER SISTER!
The title tells you all about her. “Great to hear from you baby boomer sister!” she shouts out to me when I get in touch with actor...
Read MoreFROM TOM CRUISE TO AKSHAY KUMAR: HERE’S WHAT THEY DID BEFORE BECOMING STARS
Did you know Marlon Brando worked as a watchman and Sylvester Stallone in a beauty parlour? Monojit Lahiri invites you to have...
Read MoreOM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS
During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...
Read MoreJAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED
“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...
Read MoreANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
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