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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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SAHOBASHE

Debutant filmmaker Anjan Kanjilal and stars Anubhav Kanjilal and Ishaa Saha speak to Shantanu Ray Chaudhuri about their forthc...

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Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

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Those Guilty Pleasures

Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today.

Writing with fire: Khabar Lahariya

India's All-Female News Outlet Battles Sexism, Caste - And Hits The Silver Screen – NPRs Sushmita Pathak interviews Meer...

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Desperately Seeking Kim

Film historian Dhruv Somani, tracks down Kim who had vanished from the Bollywood scene, for an exclusive, freewheeling chat-fe...

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

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Sign of the times: Silencing Zillennials

Humra Quraishi expresses anguish at the systematic crushing of dissent among the young generations today.

How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

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Voices we miss

Film historian Dhruv Somani, chronicles the popular film playback singers, who are rarely heard today.