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Some dope on pot: It’s Hazy

Vinta Nanda collates information from available materials on the web for us to find out what Bhang, Charas and Ganja mean to I...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Kill kill, bang bang

Khalid Mohamed reviews  the cop flick Class of ’83 and more fare streaming on the channels currently.

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Voices: Where the mind is without fear

On India’s Independence Day, Monarose Sheila Pereira speaks to several people to understand their perspective on freedom...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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Master of Suspense: Ravindra Dave

Film archivist Subhash Chheda, revives the memory of the unsung filmmaker Ravindra Dave, of Hindi and Gujarati cinema, whose f...

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Badnam Basti: Found after 49 years

Badnam Basti (Alley of ill repute), India's first gay film that was released in 1971 only to be lost to obscurity for around five decades, befo...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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