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BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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TEACHER’S DAY: TO SIR WITH LOVE!

On ‘Teacher’s Day’ Monojit Lahiri pays homage to some inspirational game changers and life transformers, who...

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HRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER

Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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THE MAN WHO WOULD NOT BE KING

More than 2500 years after he preached his eight-fold path, does the Buddha’s example matter to a world divided by multiple human-made co...

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LENSED BY SAHIR RAZA, APURVA GOURI SINGS TO GAUHAR RAZA’S LYRICS & ZICO A.KA. SOUTRIK CHAKRABORTI’S TUNE

The theme song for the Mere Ghar Aa Ke To Dekho campaign, in the voice of Apurva Gouri, written by Gauhar Raza and directed by Sahir Raza was r...

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THE RECIPE FOR GOOD ROMANTIC COMEDY

The Ex Factor author Harini Srinivasan unpacks her views on the recipe for a good romantic comedy, the evolution of the genre over the yea...

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