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Of Dev Anand’s James Bond-like adventure

Film historian Dhruv Somani, zeroes in on The Evil Within, the little-seen crime thriller, which had marked the evergreen star...

Business and Politics

Signs of the times: India’s battle for its soul

Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS an...

Bollywood

Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

Sustainable Development

How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India. ...

Powerful People

Catching the moment

Khalid Mohamed discusses the fast-changing dynamics of image-making today with the eminent New Delhi-based still photographer, Prerna Jain

<a href="/thought-box/catching-the-moment/b22cf1081c576902" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/satyajit-ray-10-great-sequences/99b454c091072fa8" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/05/1619978305thmn-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Alternative Entertainment" style="color: #1985e1;">Alternative Entertainment</a> </div> <h3><a href="/thought-box/satyajit-ray-10-great-sequences/99b454c091072fa8">Satyajit Ray: 10 Great Sequences</a></h3> <p><p style="text-align: justify;"><span style="font-weight: 400;">The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...</p> <a href="/thought-box/satyajit-ray-10-great-sequences/99b454c091072fa8" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/thought-box/usha-dixit-talks-television/5e1b3f20baeda2ed" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/04/1619545781TDE_Thumbnail-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Powerful People" style="color: #1985e1;">Powerful People</a> </div> <h3><a href="/thought-box/usha-dixit-talks-television/5e1b3f20baeda2ed">Usha Dixit talks television</a></h3> <p><p style="text-align: justify;"><strong>Aparajita Krishna</strong><span style="font-weight: 400;"> singles out one of her most reticent but accomplished colleagues from the pa...</p> <a href="/thought-box/usha-dixit-talks-television/5e1b3f20baeda2ed" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/true-review/those-guilty-pleasures/e0a3d5edc3278868" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/04/1619283668Thought_Factory_-Poster_(1)_(11)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Movies" style="color: #1985e1;">Movies</a> </div> <h3><a href="/true-review/those-guilty-pleasures/e0a3d5edc3278868">Those Guilty Pleasures </a></h3> <div class="ot-star-rating"><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /></div> <p><p style="text-align: justify;">Film historian <strong>Dhruv Somani,</strong> writes on those traditional mandatory things we sorely miss in the movies today.</p> <p style="t...</p> <a href="/true-review/those-guilty-pleasures/e0a3d5edc3278868" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/in-the-news/so-why-don-t-people-wear-masks/6ef3e61b25c59141" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/04/1618416102Thought_Factory_-Poster_(1)_(10)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Trending" style="color: #1985e1;">Trending</a> </div> <h3><a href="/in-the-news/so-why-don-t-people-wear-masks/6ef3e61b25c59141">So why don’t people wear masks?</a></h3> <p><p style="text-align: justify;">The second wave of COVID-19 is affecting the entire country due to which people are requested to stay indoors, writes <strong>Jack Dinis.</stro...</p> <a href="/in-the-news/so-why-don-t-people-wear-masks/6ef3e61b25c59141" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="item image-left"> <div class="item-header"> <a href="/true-review/the-woman-in-white/80b60d28537cc9b2" class="image-hover"> <figure> <img src="dailyeye_cms/Image/2021/04/1618073364Thought_Factory_-Poster_(35)-280X201.jpg" /> <svg viewBox="0 0 0 0" preserveAspectRatio="none"><path d="M 0,0 0,0 0,0 0,0 0,0 z" fill="#1985e1" /></svg>  </figure> </a> </div> <div class="item-content"> <div class="content-category"> <a href="blog.php?subcategory=Movies" style="color: #1985e1;">Movies</a> </div> <h3><a href="/true-review/the-woman-in-white/80b60d28537cc9b2">The Woman in White</a></h3> <div class="ot-star-rating"><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /><img src="images/star3.png" /></div> <p><p style="text-align: justify;">Film historian <strong>Dhruv Somani</strong> re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...</p> <a href="/true-review/the-woman-in-white/80b60d28537cc9b2" class="read-more-link">Read More<i class="fa fa-angle-double-right"></i></a> </div> </div> <div class="pagination"> <ul class='pagination'><li class='prev page-numbers' class='page_info'>Page 19 of 60</li><li><a class='prev page-numbers' href='?search= Police&submit=&page=18'><i class='fa fa-caret-left'></i> Previous Page</a></li><li><a href='?search= Police&submit=&page=1'>1</a></li><li><a href='?search= Police&submit=&page=2'>2</a></li><li class='dot'>...</li><li><a href='?search= Police&submit=&page=17'>17</a></li><li><a href='?search= Police&submit=&page=18'>18</a></li><li><a class='current'>19</a></li><li><a href='?search= 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KALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION

POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

GENDER: GENDER | AUTONOMY | 2025 IN REFLECTION

MOVIES: WHEN MEMORY BECOMES A COMPANION

BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

THOUGHT FACTORY: A SILENCE THAT SHOUTS

RETROSCOPE: RETURN TO DILIP KUMAR THE ETERNAL TRAGEDIAN

ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025

ALTERNATIVE ENTERTAINMENT: DOING IT MY WAY