Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

Kill kill, bang bang

Khalid Mohamed reviews  the cop flick Class of ’83 and more fare streaming on the channels currently.

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

Coming of Age: Child stars that could make it big

Film historian, Dhruv Somani, looks back at Bollywood’s babies and moppets who could make that tough transition to leadi...

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...